“MAYBE it’s hatred I spew, maybe it’s food for the spirit,” – Shakespeare or an internationally renowned rapper?
This is just one of the tests Akala poses in his quest to show young people the Bard’s work is not as archaic as they think.
For those who couldn’t work it out, the answer’s Eminem, on Renegade with Jay-Z.
The success of the hip-hop Shakespeare Company – which explores the social, cultural and linguistic parallels between Shakespeare and hip-hop – spearheaded by rapper Akala aka Kingslee Daley, and brother of Ms Dynamite, has not gone unnoticed.
They’ve featured on CNN, there’s a film in the pipeline and they’re due to appear at the Roundhouse Studios during the Camden Crawl (April 30-May 1).
Any trepidation youngsters have when joining a workshop is immediately broken when faced with the Shakespeare v Rapper test.
Kingslee, who grew up in Camden, and went to Acland Burghley School, said: “We ask if they think they can tell the difference between a quote from one of their favourite rappers and Shakespeare and they all say it’d be obvious, Shakespeare’s so different, so old. We do the test and no one can ever tell the difference.
“Once you take the language out of context you start to get a sense of how much your perception affects your treatment of art... Whether you like it or not, that’s just a part of the human condition. You make these judgements not solely based on the quality of the work and that’s what really becomes obvious to people.”
The Company aims to remove the elitism that surrounds Shakespeare, the “ignorant crass stereotypes” that surround hip-hop and to highlight entitlement.
Kingslee was attracted to Shakespeare from an early age because of its parallels to the lyrical music he already listened to: “It just clicked with me this is the same kind of stuff I already listen to – it’s poetry...he captured to human condition the way few writers have,” and is torn between Hamlet and Richard II as his favourite play.
He said: “Richard II is the most rhythmic, it sounds like a rap. Hamlet for the complexity of the story, the betrayal, the cauldron of feelings – it’s maybe his strongest character.”
The project has provided jobs and training for some of the most promising participants. One young writer has gone on to scribe plays for the Young Vic and Kingslee hopes one day to set up a whole institution dedicated to the cause.
Kingslee said: “Ultimately we all want the same thing – young people that can read and write well and are enthusiastic about language. Whatever methods we use that are most effective – that is the most sensible thing to do.”
Kingslee finds the job particularly rewarding.
He said: “When you work with young people in difficult circumstances and they share something with you through a piece of writing and it becomes a cathartic experience for them or they realise they have a passion no-one’s ever stoked in them or they have an intelligence that no one ever told them they have – that kind of ability to help people self discover is the thing I’m most proud of.”
He has just returned from Sudan, where he hosted workshops in-between gigs.
He said: “It went really well. I hate to say it but every time I travel, particularly to countries in the so-called third world, it’s embarrassing the level of education. No disrespect, but they have a much firmer grasp of the English language than most of the young people (he works with here). You have 16 year old kids when we’re talking about Shakespeare, saying, yeah he wrote in archaic English – this is the level of grasp of the language we’re talking about.
“Perhaps because education over there is so much more difficult to obtain, there’s so much more respect for it once it’s gone...They take it very seriously if they get the opportunity to get a decent education.”
And while Shakespeare proved a hit, so did the hip-hop.
He said: “Hip hop over there is as big as it is over here – all over Africa – hip hop and reggae – Bob Marley’s become bigger then he even was in Jamaica. He’s become a larger than life persona throughout the African continent. And hip-hop, particularly the more politically aware socially conscious hip-hop, has really connected, from my experience throughout the continent and the world.”
Kingslee no longer lives in Camden, having left for the peace of Hertfordshire but he’s having a change of heart: “I’m out in the sticks now but it’s a bit too quiet for me. I think I’m going to move back into Camden.”
• Further info from http://www.hiphopshakespeare.com/
Showing posts with label Jay-Z. Show all posts
Showing posts with label Jay-Z. Show all posts
Friday, 15 April 2011
Wednesday, 12 January 2011
AND THE AWARD GOES TO...
WE’VE read countless annual reviews, griped over XfM’s choice of The Killers’ Mr Brightside as the top song of all time and have been quite proud to be left out of the Queen’s New Year’s Honours list.
Now, in the hope of being the first official music awards of the year, here are Tutankarbon's alternative prizes...
GLASTONBURY AWARD FOR MOST DRENCHED FESTIVAL – The Camden Crawl
Rain or shine we love it, you’re only ever seconds away from a venue to shelter in, but this year really tested our resolve. As we said at the time, rivers of black eyeliner ran down Camden High Street as someone in the heavens chucked buckets at the dedicated music fans swimming their way from gig to gig.
MOST WELL-INTENTIONED BUT ILL-JUDGED SPECIAL EFFECT – Kiss, 02 Academy Islington
They just wanted to give fans a taste of the stadium experience. But poor Kiss’ plans to set off ticker tape from huge cannons backfired as they accidentally suffocated themselves and their fans – cutting short their encore. There’s a reason they’re usually reserved for the arenas guys.
MALCOLM TUCKER AWARD FOR MOST DIPLOMATIC WARDROBE CHOICE – Missy Elliott, Wireless
She probably thought it was a nice gesture – wearing a German tracksuit from sponsors Adidas while their national team battled it out in South Africa. But Missy didn’t count on a bunch of sour-faced England fans, who booed and threw bottles at her, still sore at the country’s loss days earlier.
MOST RIB-CRUSHING GIG – Rage Against the Machine, Finsbury Park
We thought we’d planned it so well – close enough to see, far enough back to avoid being sucked into a mosh-pit stew of fists and feet. I even took my earrings off just in case. But from the very first bass note, the entire crowd contracted, we were lifted off our feet, flung across a molten sea of black t-shirts and banging heads before being dropped into the centre of the pit. Bones could be felt cracking and the mission to get to the edge of park was greater than any Labyrinth-type adventure. Phenomenal gig.
MOST WANTED MUSICIAN (for about five minutes) – Lowkey
He loves a good cause this one. Lowkey visited students at Camden School for Girls protesting at the planned university fees hike. Hours later, he appeared on the front of a number of national newspapers as one of the people police wanted to speak to in connection with protest violence. Of course nothing came of it and he doesn’t seem to be wanted but seeing his face in the rogues gallery it gave his fans a swift shock.
BIGGEST INSULT TO VISITING US ARTISTS – Wireless (Missy Elliott) and The Roundhouse (Talib Kweli)
I know they had their reasons, but pulling the plug on artists mid-song just is not cool. If they are running over, let them get to the end of the song. Leaving Missy and Kweli standing there, mic and music turned off, looking like fools, is not the way to make friends and can only end badly.
VENUE TO SCORE BEST SECRET GIG – Dingwalls – The Strokes
There was hysteria when news broke out that Dingwalls was going to host The Strokes’ comeback. Tickets were harder to find than a music store in Camden and there was no need for contact lenses from Cyberdog for those that missed out – the green eyes could be seen from outer space.
VENUE TO LOSE HUGE SECRET GIG – Dingwalls – Guns ‘n Roses
Dingwalls had to issue an 11th-hour cancellation after learning Axl and co wouldn’t be venturing our way, causing some anger but also a lot of relief from those who wish G n’ R would cut their losses and stop ruining the memory of their best work.
MOST MIDDLE-CLASS MOSH – Jamie Cullum, Kenwood
In among the vin, the pain and the Boursin, the picnic baskets were overturned, cheese knives waved in the air and Jamie Cullum’s encore became the oddest, multi-aged mosh-pit in the shadows of Kenwood House.
MOST GENEROUS HEADLINE PERFORMANCE (TAKE NOTE KANYE) – Jay-Z, Wireless
Unlike Kanye’s headline turn the year before, Jay-Z’s not mean with his time, his words, or his songs and there was not a hint of self-indulgence about his show.
SPECIAL AWARD FOR THE BAND AT THE CENTRE OF THE BIGGEST OFFICE ROW – N-Dubz
Yes Dappy, Fazer and Tulisa, you caused fireworks at my office earlier this year. No need to go into it now, suffice to say – I was on your side.
FAREWELL TO – The Luminaire, The Flowerpot and possibly The 100 Club
HELLO TO – The Wheelbarrow, Nambucca (just reopened).
Now, in the hope of being the first official music awards of the year, here are Tutankarbon's alternative prizes...
GLASTONBURY AWARD FOR MOST DRENCHED FESTIVAL – The Camden Crawl
Rain or shine we love it, you’re only ever seconds away from a venue to shelter in, but this year really tested our resolve. As we said at the time, rivers of black eyeliner ran down Camden High Street as someone in the heavens chucked buckets at the dedicated music fans swimming their way from gig to gig.
MOST WELL-INTENTIONED BUT ILL-JUDGED SPECIAL EFFECT – Kiss, 02 Academy Islington
They just wanted to give fans a taste of the stadium experience. But poor Kiss’ plans to set off ticker tape from huge cannons backfired as they accidentally suffocated themselves and their fans – cutting short their encore. There’s a reason they’re usually reserved for the arenas guys.
MALCOLM TUCKER AWARD FOR MOST DIPLOMATIC WARDROBE CHOICE – Missy Elliott, Wireless
She probably thought it was a nice gesture – wearing a German tracksuit from sponsors Adidas while their national team battled it out in South Africa. But Missy didn’t count on a bunch of sour-faced England fans, who booed and threw bottles at her, still sore at the country’s loss days earlier.
MOST RIB-CRUSHING GIG – Rage Against the Machine, Finsbury Park
We thought we’d planned it so well – close enough to see, far enough back to avoid being sucked into a mosh-pit stew of fists and feet. I even took my earrings off just in case. But from the very first bass note, the entire crowd contracted, we were lifted off our feet, flung across a molten sea of black t-shirts and banging heads before being dropped into the centre of the pit. Bones could be felt cracking and the mission to get to the edge of park was greater than any Labyrinth-type adventure. Phenomenal gig.
MOST WANTED MUSICIAN (for about five minutes) – Lowkey
He loves a good cause this one. Lowkey visited students at Camden School for Girls protesting at the planned university fees hike. Hours later, he appeared on the front of a number of national newspapers as one of the people police wanted to speak to in connection with protest violence. Of course nothing came of it and he doesn’t seem to be wanted but seeing his face in the rogues gallery it gave his fans a swift shock.
BIGGEST INSULT TO VISITING US ARTISTS – Wireless (Missy Elliott) and The Roundhouse (Talib Kweli)
I know they had their reasons, but pulling the plug on artists mid-song just is not cool. If they are running over, let them get to the end of the song. Leaving Missy and Kweli standing there, mic and music turned off, looking like fools, is not the way to make friends and can only end badly.
VENUE TO SCORE BEST SECRET GIG – Dingwalls – The Strokes
There was hysteria when news broke out that Dingwalls was going to host The Strokes’ comeback. Tickets were harder to find than a music store in Camden and there was no need for contact lenses from Cyberdog for those that missed out – the green eyes could be seen from outer space.
VENUE TO LOSE HUGE SECRET GIG – Dingwalls – Guns ‘n Roses
Dingwalls had to issue an 11th-hour cancellation after learning Axl and co wouldn’t be venturing our way, causing some anger but also a lot of relief from those who wish G n’ R would cut their losses and stop ruining the memory of their best work.
MOST MIDDLE-CLASS MOSH – Jamie Cullum, Kenwood
In among the vin, the pain and the Boursin, the picnic baskets were overturned, cheese knives waved in the air and Jamie Cullum’s encore became the oddest, multi-aged mosh-pit in the shadows of Kenwood House.
MOST GENEROUS HEADLINE PERFORMANCE (TAKE NOTE KANYE) – Jay-Z, Wireless
Unlike Kanye’s headline turn the year before, Jay-Z’s not mean with his time, his words, or his songs and there was not a hint of self-indulgence about his show.
SPECIAL AWARD FOR THE BAND AT THE CENTRE OF THE BIGGEST OFFICE ROW – N-Dubz
Yes Dappy, Fazer and Tulisa, you caused fireworks at my office earlier this year. No need to go into it now, suffice to say – I was on your side.
FAREWELL TO – The Luminaire, The Flowerpot and possibly The 100 Club
HELLO TO – The Wheelbarrow, Nambucca (just reopened).
Thursday, 14 October 2010
TALIB, TORNADOES AND GUTTER RAINBOWS
“IF SKILLS sold truth be told, I’d probably be, lyrically Talib Kweli,” so sang Jay-Z in his 2003 album track Moment of Clarity.
It’s a line that haunts rapper Talib Kweli, a sign of the high regard he holds with the hip-hop fraternity, who covet this wordsmith’s tongue.
Album Gutter Rainbows, his childhood name for puddle oil slicks, a phenomenon he recently discovered immortalised as gasoline rainbows in classic novel Catcher in the Rye, is out in November.
It’s a line that haunts rapper Talib Kweli, a sign of the high regard he holds with the hip-hop fraternity, who covet this wordsmith’s tongue.
But Talib, widely seen as one of America’s greatest hip-hop lyricists, doesn’t mind. In fact, he says: “I take it as a huge compliment. Don’t be fooled I’ve dumbed down lyrics before. I just haven’t done it at the level Jay-Z has. I’ve songs where I’m having fun, playing around and I like those songs. Sometimes that works but I haven’t made a career out of it like Jay-Z.”
Talib plays Lyrical Alliance at the Roundhouse (Saturday), joining leading Arab hip hop artists –Algeria’s Rabah Ourrad, British Palestinian MC Shadia Mansour, dubbed the first lady of Arabic hip-hop, Palestinian Israeli Tamer Nafar who sings in Arabic, Hebrew and English, Lebanon’s Rayess Bek and VJ Jana Saleh and Jordanian rapper Samm.
It’s a night where the Middle East meets West and Arab hip-hop takes centre stage.
So where does Talib fit in? Not so naturally he admits “I’ve never heard Arab hip hop or been to a country where the language is Arabic”, adding: “I’m definitely excited about doing something different and possibly learning more about hip-hop in another language.”
Although artists like Mansour are particularly political, Talib’s not picking sides.
He said: “(Palestine and Israel) need to work harder at getting along and hitting extremists who too often misrepresent what rational sane people think. I don’t think extremism on any side is warranted. But I also recognise we live in a world where the struggle of the Palestinians is under-represented in my view. I believe in fairness, balance and clarity so anything that brings eyes to that I’m down with it.”
The oppressed have always adapted to hip-hop says Talib, adding: “Hip hop is folk music not in the sense of soft focus, it speaks the language of people at the time when they are still speaking it. A lot of music speaks a language from years back...hip hop often speaks the language of the reality existing right now.”
Although artists like Mansour are particularly political, Talib’s not picking sides.
He said: “(Palestine and Israel) need to work harder at getting along and hitting extremists who too often misrepresent what rational sane people think. I don’t think extremism on any side is warranted. But I also recognise we live in a world where the struggle of the Palestinians is under-represented in my view. I believe in fairness, balance and clarity so anything that brings eyes to that I’m down with it.”
The oppressed have always adapted to hip-hop says Talib, adding: “Hip hop is folk music not in the sense of soft focus, it speaks the language of people at the time when they are still speaking it. A lot of music speaks a language from years back...hip hop often speaks the language of the reality existing right now.”
Album Gutter Rainbows, his childhood name for puddle oil slicks, a phenomenon he recently discovered immortalised as gasoline rainbows in classic novel Catcher in the Rye, is out in November.
He said: “When the rain and dirt mix together, it forms a little rainbow. When I was a little kid not knowing it was from oil and pollution I was just thinking wow that’s nice. You know when you live in a city and there’s a heavy wind and the wind tunnels through the buildings and forms these little rainstorms, these little tiny tornadoes, you can see the leaves sort of dancing? That’s like an inner city tornado. There’s things in the city that are nature that happen because of man made things, buildings, pollution, but somehow nature seems to find a way to give us rainbows, tornadoes.”
Wednesday, 28 July 2010
YOUTUBE TRAWL - RAINY DANCING AND JAY-Z COMES TO WALES
HERE are two cool YouTube clips I was introduced to today.
Hope it brightens up your day.
Hope it brightens up your day.
And this one's pretty smart - Jay-Z waddya think?
Saturday, 10 July 2010
PINK'S ACROBATICS, MISSY ELLIOTT'S FAILS, SNOOP DOGG'S SUNNY DISPOSITION AND JAY-Z'S CAMERON-LIKE TENDENCIES
PINK dropped from the sky, Missy Elliott's German tracksuit offended, Snoop Dogg wore girly hair bobbles and Jay-Z played the popular card at an eventful Wireless festival last weekend.
By Sunday night, Wireless stragglers looked more like extras from Shipwrecked than holders of the coolest hip-hop tickets in town as arid weather conditions turned Hyde Park into one giant dustbowl and filthy feet, mud-caked fingernails and dirt-streaked faces became the official festival uniform.
Not even the luxury loos, Ugg boots store, makeovers, Superdrug counter, Elemis massages and Bed Head hairdressers could combat the dust.
Pink's headline performance was a spectacle in itself, so carefully stage managed that it even ended with a roll of credits.
And they deserved the praise, Pink dropped onto a walkway from a gift-wrapped box suspended high on a crane, running through hits, many lesser-known tracks and some covers.
She mashed up Lou Reid's Walk on the Wild Side with Green Day's Basket Case, later launching the loudest sing-along of the weekend to 4 Non Blondes' What's Up – a perfect fit for her voice.Pink's songs have rarely been captivating but her performance skills and powerhouse vocals are something to behold.Her set was a fully-functioning carnival, she made full use of the slides, her drummer stood inside a waltzer and Pink's acrobatics matched those of a circus professional.From Cirque du Soleil roof-dangling on drapes, to soaring over the crowd suspended on four-way wires, to literally running over the heads of the audience in a giant inflatable Zorb ball, it was a non-stop feast for the eyes.Earlier Plan B drew hundreds from Gossip's main stage set as crowds caked the outside of the Pepsi Max tent to try to catch a glimpse.Beth Ditto made her usual threat to strip but thankfully failed to deliver.Not even Ditto's lungs could compete with the crowds singing along to Plan B 150m away and her cover of Tina Turner's What's Love Got To Do With It was drowned out.The Ting Tings banged out a bit of a racket but the most euphoric moment of the day was lying in the grass, staring at the clear blue sky listening to The Temper Trap.Day two's headliners LCD Soundsystem seriously disappointed – an odd choice for top billing when the likes of Missy Elliott and Snoop Dogg were in town.
To be fair, Missy's set consisted of a number of big fails. 1 – coming on 20 minutes late, 2 – playing a medley of best-known tracks so fast you almost missed them, 3 – part-miming, badly, 4 – bringing on latest protege after only 10 minutes, who also mimed, 5 – making an ill-judged return to the stage in a Germany tracksuit – her
prerogative I say – but she drew boos from a huge group of miserable bad sports, 6 – overrunning and having her set cut mid-flow.
Still, Get Your Freak on was a popular three minutes, her rapping was fierce and she threw herself into rallying the crowd for the brief time she was on.
A quick dash to Darwin Deez confirmed why he's the Napoleon Dynamite of the moment and a delight to watch – but the pull of legend Snoop Dogg was too strong.
The sunshine loved Snoop, who came on with a knuckle duster-style mic and charted his hip-hop history through a memorable, laid back set.
Still hard to take Gangsta rap seriously when it comes from a man with clear plastic bobbles on his plaits.
Day three was uncomfortable as thousands crammed into the park, may looking for trouble. Huge groups of boys cleared the ground of bottles by flinging them into the crowd, prompting Lily Allen to point out the number of girls she'd seen crying in front of her after being hit.
Earlier, Professor Green on the second stage was a huge, popular draw, Slash played a couple of his own solos which flew above the head of most of the crowd, but woke everyone up with Sweet Child O' Mine and a vastly diminished D12 delighted the many who rushed to see them on the third stage – though twice as many were left out in the cold.
Lily Allen brought on Professor Green for a drum 'n bass remix of Smile before the two launched into their new single Just Be Good To Green, which ended up as a huge rave.
Jay-Z the ever professional, played the popular tracks, some lesser-known older ones and never let the crowd forget he was thinking of every single one of them.
Much like the David Cameron in the leaders debates, he took note of his audience and singled out the ones who most knew his songs, or those who most caught his eye.
When he realised he had 24 minutes left he declared he was not ready to go and promised to run through as many track people asked for as possible, flicking from a bar of Bonnie and Clyde to a chorus of another, he skipped around, prepared to please his devoted followers.
He ended on Encore – the smash hit mash-up with Linkin Park's Numb – a wise and explosive choice that confirmed Jay-Z's generous showmanship.
By Sunday night, Wireless stragglers looked more like extras from Shipwrecked than holders of the coolest hip-hop tickets in town as arid weather conditions turned Hyde Park into one giant dustbowl and filthy feet, mud-caked fingernails and dirt-streaked faces became the official festival uniform.
Not even the luxury loos, Ugg boots store, makeovers, Superdrug counter, Elemis massages and Bed Head hairdressers could combat the dust.
Pink's headline performance was a spectacle in itself, so carefully stage managed that it even ended with a roll of credits.
And they deserved the praise, Pink dropped onto a walkway from a gift-wrapped box suspended high on a crane, running through hits, many lesser-known tracks and some covers.
She mashed up Lou Reid's Walk on the Wild Side with Green Day's Basket Case, later launching the loudest sing-along of the weekend to 4 Non Blondes' What's Up – a perfect fit for her voice.Pink's songs have rarely been captivating but her performance skills and powerhouse vocals are something to behold.Her set was a fully-functioning carnival, she made full use of the slides, her drummer stood inside a waltzer and Pink's acrobatics matched those of a circus professional.From Cirque du Soleil roof-dangling on drapes, to soaring over the crowd suspended on four-way wires, to literally running over the heads of the audience in a giant inflatable Zorb ball, it was a non-stop feast for the eyes.Earlier Plan B drew hundreds from Gossip's main stage set as crowds caked the outside of the Pepsi Max tent to try to catch a glimpse.Beth Ditto made her usual threat to strip but thankfully failed to deliver.Not even Ditto's lungs could compete with the crowds singing along to Plan B 150m away and her cover of Tina Turner's What's Love Got To Do With It was drowned out.The Ting Tings banged out a bit of a racket but the most euphoric moment of the day was lying in the grass, staring at the clear blue sky listening to The Temper Trap.Day two's headliners LCD Soundsystem seriously disappointed – an odd choice for top billing when the likes of Missy Elliott and Snoop Dogg were in town.
To be fair, Missy's set consisted of a number of big fails. 1 – coming on 20 minutes late, 2 – playing a medley of best-known tracks so fast you almost missed them, 3 – part-miming, badly, 4 – bringing on latest protege after only 10 minutes, who also mimed, 5 – making an ill-judged return to the stage in a Germany tracksuit – her
prerogative I say – but she drew boos from a huge group of miserable bad sports, 6 – overrunning and having her set cut mid-flow.
Still, Get Your Freak on was a popular three minutes, her rapping was fierce and she threw herself into rallying the crowd for the brief time she was on.
A quick dash to Darwin Deez confirmed why he's the Napoleon Dynamite of the moment and a delight to watch – but the pull of legend Snoop Dogg was too strong.
The sunshine loved Snoop, who came on with a knuckle duster-style mic and charted his hip-hop history through a memorable, laid back set.
Still hard to take Gangsta rap seriously when it comes from a man with clear plastic bobbles on his plaits.
Day three was uncomfortable as thousands crammed into the park, may looking for trouble. Huge groups of boys cleared the ground of bottles by flinging them into the crowd, prompting Lily Allen to point out the number of girls she'd seen crying in front of her after being hit.
Earlier, Professor Green on the second stage was a huge, popular draw, Slash played a couple of his own solos which flew above the head of most of the crowd, but woke everyone up with Sweet Child O' Mine and a vastly diminished D12 delighted the many who rushed to see them on the third stage – though twice as many were left out in the cold.
Lily Allen brought on Professor Green for a drum 'n bass remix of Smile before the two launched into their new single Just Be Good To Green, which ended up as a huge rave.
Jay-Z the ever professional, played the popular tracks, some lesser-known older ones and never let the crowd forget he was thinking of every single one of them.
Much like the David Cameron in the leaders debates, he took note of his audience and singled out the ones who most knew his songs, or those who most caught his eye.
When he realised he had 24 minutes left he declared he was not ready to go and promised to run through as many track people asked for as possible, flicking from a bar of Bonnie and Clyde to a chorus of another, he skipped around, prepared to please his devoted followers.
He ended on Encore – the smash hit mash-up with Linkin Park's Numb – a wise and explosive choice that confirmed Jay-Z's generous showmanship.
Sunday, 27 June 2010
WIRELESS SET TO ELECTRIFY?
THERE were some great scenes of rebellion at last year's Wireless Festival as we joined the scramble to break into the tent to catch The Streets during one of the most memorable and sweltering performances of the weekend.
And there's sure to be as many equally unforgettable moments this year with a line-up of huge draws including Jay-Z, Pink, LCD Soundsystem, Snoop Dogg, Missy Elliott and 2ManyDjs.
And there's sure to be as many equally unforgettable moments this year with a line-up of huge draws including Jay-Z, Pink, LCD Soundsystem, Snoop Dogg, Missy Elliott and 2ManyDjs.
Wireless, sponsored by Barclaycard (July 2 - 4), is one of the easiest festivals around, a medley of urban, indie, electro and hip-hop acts all in Hyde Park but with the power to pull huge names more usually associated with vast soulless stadiums.
Ideal for non-campers – and lazier music-lovers – there's not even a worry about transport or accommodation, as it all usually ends before the last tube leaves and well before the last clubs shut their doors.
While last year Kanye West left us cold with his immense detachment, Basement Jaxx's star shone bright with a euphoric carnival performance.
We're not expecting a repeat of West's vacant show this year, as Jay-Z headlines the Sunday night, a US rap giant who knows how to play the crowd.
We're not expecting a repeat of West's vacant show this year, as Jay-Z headlines the Sunday night, a US rap giant who knows how to play the crowd.
Another crowd pleaser with a mammoth voice is Pink, or is that P!ink?
Her gravity-defying feats at the Grammy awards were the talk of the show, but can she top it? She headlines on the Friday night – expect a spectacle.
LCD Soundsystem and 2ManyDjs co-headline on Saturday but I'll be more interested in Snoop Dogg, Missy Elliott, Darwin Deez and DJ Shadow.
Her gravity-defying feats at the Grammy awards were the talk of the show, but can she top it? She headlines on the Friday night – expect a spectacle.
LCD Soundsystem and 2ManyDjs co-headline on Saturday but I'll be more interested in Snoop Dogg, Missy Elliott, Darwin Deez and DJ Shadow.
There's so much to see over the three days, so here are my picks – Snoop Dogg (he made it into the country, the least we can do is go see him), Jay-Z (always room for an epic megastar), The Temper Trap (soaring tunes), Hockey (good indie attitude), Alphabeat (they'll smile even if it rains), DJ Shadow (to revive some hazy student memories), UNKLE (ever innovative), Missy Elliott (fierce), The Big Pink (too cool), Darwin Deez (edgy, quirky pop from the frizzy-haired, eyelinered one), The Hundred in the Hands (moody duo), Friendly Fires (lively electro), Dan le Sac vs Scroobius Pip (unfailingly fantastic, a must, must, MUST) and Devlin (Dagenham MC with a good brand of dark hip-hop).
There's sure to be a book running on what Beth Ditto plans to wear when Gossip take to the stage so start guessing now.
There's sure to be a book running on what Beth Ditto plans to wear when Gossip take to the stage so start guessing now.
Others attracting attention are celeb offspring Lily Allen and I Blame Coco, the slightly irritating The Ting Tings, rapper-turned-lounge-singer Plan B, new young darling Daisy Dares You, New Young Pony Club, Example, Chase & Status, Chipmunk, Tinie Tempah, Mr Hudson, D12 and Roll Deep.
As well as a whole list of other acts, there's a full programme of non-musical entertainment – fashion shows, talent scouts, a pampering parlour and all sorts of games.
As well as a whole list of other acts, there's a full programme of non-musical entertainment – fashion shows, talent scouts, a pampering parlour and all sorts of games.
Thursday, 18 February 2010
BRITS, WIGS, TRIPS AND FLIDS (Liam - that's you)
NEITHER N-Dubz nor Alexandra Burke won a Brit this year so unless Lady Gaga or Jay-Z have some secret north London connections, we’re pretty much done here. Instead, here’s what I noticed.
• The Brits evoked anger in a lot of people this year, you only need to follow Twitter to see. There was room for some hearty pop but some real questions about how out of touch it has become remain. Case in point – Best Album of Last 30 Years category was a travesty - Dido/Duffy - seriously?
I'm still struggling to comprehend how they made it into the top 10. Bearing the competition in mind, Oasis' What's the Story Morning Glory was the only possible winner.
However, if there had been a credible top 10 selection I doubt this would've been the case.
• Too much Spice Girls stage time.
• Success stories were nutty Lady Gaga and boy band JLS. Major fails from Jonathan Ross dressing as Dizzee, and from poor selection of award-givers in Sam Fox and Alan Carr.
• Jay-Z, Dizzee, Florence and Cheryl put on a fine show – I wasn’t looking at the screen so didn’t notice any miming – though Mrs Cole appeared angry about something.
• Robbie, growing in confidence, still has the look of a post-haircut Sampson in his eyes – a broken man who’s lost his power. Yet the difference is, Robbie looks grateful.
• Angry again Liam Gallagher dissed his brother by omission, swore onstage and chucked his award and mic into crowd. Cue urgent appeals during ads for mic to be returned or one of the performers will not be able to sing – sincerely.
• Kasabian’s Tom Meighan momentarily forgot his swagger as he bounded onstage, promptly falling flat on his face. He looked tempted to throw his award into the crowd but couldn’t bring himself to part with it.
• Lady Gaga disappointed Courtney Love and Geri Halliwell by not singing something they knew - how thoughtless.
• Lily Allen appeared to wear at least three wigs – a brown bob for the red carpet, a Dynasty-esque Joan Collins one for her opening performance of The Fear and a big old ginger Vivienne Westwood/Cilla one to collect her award. The reason for the ginger one? So the camera couldn’t pick out her disappointed expression if she lost, which she didn’t.
• Ellie Goulding was so taken aback with her Critics’ Choice award she looked like she was going to crumple in front of us.
• I still love Kasabian.
• The Brits evoked anger in a lot of people this year, you only need to follow Twitter to see. There was room for some hearty pop but some real questions about how out of touch it has become remain. Case in point – Best Album of Last 30 Years category was a travesty - Dido/Duffy - seriously?
I'm still struggling to comprehend how they made it into the top 10. Bearing the competition in mind, Oasis' What's the Story Morning Glory was the only possible winner.
However, if there had been a credible top 10 selection I doubt this would've been the case.
• Too much Spice Girls stage time.
• Success stories were nutty Lady Gaga and boy band JLS. Major fails from Jonathan Ross dressing as Dizzee, and from poor selection of award-givers in Sam Fox and Alan Carr.
• Jay-Z, Dizzee, Florence and Cheryl put on a fine show – I wasn’t looking at the screen so didn’t notice any miming – though Mrs Cole appeared angry about something.
• Robbie, growing in confidence, still has the look of a post-haircut Sampson in his eyes – a broken man who’s lost his power. Yet the difference is, Robbie looks grateful.
• Angry again Liam Gallagher dissed his brother by omission, swore onstage and chucked his award and mic into crowd. Cue urgent appeals during ads for mic to be returned or one of the performers will not be able to sing – sincerely.
• Kasabian’s Tom Meighan momentarily forgot his swagger as he bounded onstage, promptly falling flat on his face. He looked tempted to throw his award into the crowd but couldn’t bring himself to part with it.
• Lady Gaga disappointed Courtney Love and Geri Halliwell by not singing something they knew - how thoughtless.
• Lily Allen appeared to wear at least three wigs – a brown bob for the red carpet, a Dynasty-esque Joan Collins one for her opening performance of The Fear and a big old ginger Vivienne Westwood/Cilla one to collect her award. The reason for the ginger one? So the camera couldn’t pick out her disappointed expression if she lost, which she didn’t.
• Ellie Goulding was so taken aback with her Critics’ Choice award she looked like she was going to crumple in front of us.
• I still love Kasabian.
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