A QUICK reminder to anyone not heading for the Camden Crawl – though can’t imagine what else you want to do with the long weekend – you can still feel like part of the festivities by catching Graham Coxon, Marques Toliver and more at their Levi’s Crawl set at Proud Camden on Sunday for a separate £10 ticket. Entry free to Crawl wristband holders.
And in case you didn’t see my appeal in our final preview, remember to tweet any Crawl news, sightings, gossip or secret gig rumours to me @roisingadelrab, I’ll be reporting the whole weekend live on Twitter.
• Really sorry to hear about the death of X-Ray Spex frontwoman Poly Styrene. Poly, whose real name is Marianne Elliot Said rejoined the band for a one-off show at Camden Roundhouse in 2008.
In a tribute this week, Jonathan Ross told how X-Ray Spex were the first live band he ever saw – at the Hope & Anchor in Islington.
• Coming up at the Union Chapel – Paloma Faith’s special charity show (May 5) to help raise funds for a friend who suffered brain damage in an accident. She will be joined by Noisettes, her X-Factor favourite Rebecca Ferguson, Michael Nyman, Claire Maguire, Rox, Alfie Boe, David Arnold & Ricky Wilson and the night will be hosted by Keith Lemon.
• Remember when James was great? Maybe Tim Booth can recreate some of their heyday magic when he headlines Koko on Tuesday – maybe he can fill us in.
• Former Record of the Week contenders and all-round new favourites Warehouse Republic play The Bowery on Wednesday – what else have you got do?
• Anyone got a golden ticket for Hugh Laurie’s Union Chapel show on Wednesday? Let me know, is he a better musician or actor?
Showing posts with label Paloma Faith. Show all posts
Showing posts with label Paloma Faith. Show all posts
Friday, 29 April 2011
Saturday, 26 March 2011
THE LEMONHEADS + MILES KANE FOR CAMDEN CRAWL, MARK E SMITH'S GOT A BEER NAMED AFTER HIM + BOY GEORGE AND SOPHIE ELLIS BEXTOR'S CAMDEN CHARITY GIGS
CRAWLWATCH week 8453. So The Lemonheads have just been added to the Camden Crawl line-up. Remember them? If not, here’s a crash course.
Frontman Evan Dando – once a teenage grunge pin-up, even after cutting his flowing locks – took an odd turn when he briefly became an Oasis groupie and ended up playing guitar on the roof of the Buckley Tivoli (that’s north Wales to you London types) after one of their early gigs.
The Lemonheads has had many incarnations but Dando has remained a constant.
Their famous album was It’s a Shame About Ray (video to title track featuring Johnny Depp)...
(Official video not available to be embedded so here they are on Letterman instead)
...and Liv Tyler more recently duetted with them on a cover of Leonard Cohen’s Hey, That’s no Way to Say Goodbye (see below).
Also added to the Crawl this week are one of my favourites Miles Kane, as well as Razorlight, Giggs, Guillemots and Yasmin.
• Anyone tasted the Mark E Smith beer at The Snooty Fox in Canonbury? Wonder if they were inspired to commission the exclusive ale by The Fall’s Crawl appearance last year.
• Charity gig week? Sophie Ellis Bextor hosts at Proud Camden on Tuesday (March 29) to raise funds for the young son of her friend, a make-up artist who died last year. The Aspidistras and Sinead and the Dawnbreakers support.
On Thursday, there’s An Evening with Boy George including Jazz by George, and support from Adam Ant, Josh Weller, Paloma Faith and special guests at the Jazz Cafe for The Hepaptitis C Trust’s Get Tested campaign. Snap up signed celeb photos in the charity auction – Boy George, Mat Horne, Sadie Frost, Jimi Mistry, Eliza Doolittle and Paloma Faith.
• Cutting edge alternative and electronic music promoters The Playground host their first Weekender at Electrowerkz, Angel, (March 25-26) featuring an exclusive debut London performance by San Francisco’s oOoOO as well as French popstar Yelle, In Flagranti, Punx Soundsheck and Waylayers. See www.theplayground.co.uk/event.
Frontman Evan Dando – once a teenage grunge pin-up, even after cutting his flowing locks – took an odd turn when he briefly became an Oasis groupie and ended up playing guitar on the roof of the Buckley Tivoli (that’s north Wales to you London types) after one of their early gigs.
The Lemonheads has had many incarnations but Dando has remained a constant.
Their famous album was It’s a Shame About Ray (video to title track featuring Johnny Depp)...
(Official video not available to be embedded so here they are on Letterman instead)
...and Liv Tyler more recently duetted with them on a cover of Leonard Cohen’s Hey, That’s no Way to Say Goodbye (see below).
Also added to the Crawl this week are one of my favourites Miles Kane, as well as Razorlight, Giggs, Guillemots and Yasmin.
• Anyone tasted the Mark E Smith beer at The Snooty Fox in Canonbury? Wonder if they were inspired to commission the exclusive ale by The Fall’s Crawl appearance last year.
• Charity gig week? Sophie Ellis Bextor hosts at Proud Camden on Tuesday (March 29) to raise funds for the young son of her friend, a make-up artist who died last year. The Aspidistras and Sinead and the Dawnbreakers support.
On Thursday, there’s An Evening with Boy George including Jazz by George, and support from Adam Ant, Josh Weller, Paloma Faith and special guests at the Jazz Cafe for The Hepaptitis C Trust’s Get Tested campaign. Snap up signed celeb photos in the charity auction – Boy George, Mat Horne, Sadie Frost, Jimi Mistry, Eliza Doolittle and Paloma Faith.
• Cutting edge alternative and electronic music promoters The Playground host their first Weekender at Electrowerkz, Angel, (March 25-26) featuring an exclusive debut London performance by San Francisco’s oOoOO as well as French popstar Yelle, In Flagranti, Punx Soundsheck and Waylayers. See www.theplayground.co.uk/event.
Friday, 19 November 2010
PALOMA'S BATHTIME REVELATIONS
“IS IT a girl?” Paloma Faith asks as the call is put through for our interview.
“I’m glad it’s a girl because I’m in the bath,” she says. “I was trying to rush and then I thought let’s take a gamble. It’s 50-50 chance it’s going to be a man and if it is I’ll slowly edge out of the bath and try not to make any water noises. They might think I was flirting or something.”
Paloma’s insuppressible personality is apparent from her first words.
The former Islington Green pupil is due to play a gala show of her collaboration with trumpeter/arranger/composer Guy Barker – Down at the End of Lonely Street – alongside a full orchestra at the Barbican on December 10.
She said: “The Barbican’s like the cultural centre of the area I was brought up in. As a kid I always saw it as somewhere quite posh where rich people go. Now I’m playing there it feels like a breakthrough.”
She says the show’s about loss and loneliness, adding: “There’s a few of my songs but mainly songs that have influenced me by the great queens of tragedy and torch singers.”
Renowned as a flamboyant performer, Paloma’s happily aware of her past limits.
“I wanted to perform from quite a young age but I knew I wasn’t very good. I was about 10 when I did my first dance performance. I loved the excitement and adrenaline but didn’t know what I was doing. When they went right I went left and when they went up I went down, I totally stood out. My mum said it was hilarious that I stood out like a sore thumb because I was wrong all the time.
“For years after, I had the enthusiasm but not the ability. I think people thought I was a bit of a laughing stock…but I guess I found my way.”
A choreographer once told her he’d have to give her a lead role as she was hypnotic but “not very good” and was doing something different to everyone else.
Realising she wasn’t going to be a dancer was a “big setback”, so she began singing in bars while studying theatre hoping to work behind the scenes.
But she began attracting attention for her voice.
“I started to do it to my own surprise because I hadn’t really sung that much. Because the people I admired were so amazing I put myself beneath them and didn’t feel good enough but through this last year touring this album I think my voice has improved so much. I’ve sort of learned on the job. In a way my voice is better now than when I recorded my album. When I listen to the album I think oh a bit shit but I now play live and people say I’m so much better live.”
Paloma’s style has often attracted the attention of the Fashion Police: “Sometimes I end up walking out in something I haven’t really thought about. I look at it in pictures and think what was I doing? I know it’s dressing up. I find it difficult to get dressed on a day off because I don’t actually remember what I think looks nice. I take pride in taking risks and being a bit funny with it. People put me in those columns “what was she thinking?” Well I wasn’t. When I’m serious and when I know I look good it’s vintage inspired stuff. I think I’m very good at dressing like a Hollywood starlet.”
SEE the second part of this interview here - Paloma Faith on moaning music moguls, cash-strapped students + old school teachers
“I’m glad it’s a girl because I’m in the bath,” she says. “I was trying to rush and then I thought let’s take a gamble. It’s 50-50 chance it’s going to be a man and if it is I’ll slowly edge out of the bath and try not to make any water noises. They might think I was flirting or something.”
Paloma’s insuppressible personality is apparent from her first words.
The former Islington Green pupil is due to play a gala show of her collaboration with trumpeter/arranger/composer Guy Barker – Down at the End of Lonely Street – alongside a full orchestra at the Barbican on December 10.
She said: “The Barbican’s like the cultural centre of the area I was brought up in. As a kid I always saw it as somewhere quite posh where rich people go. Now I’m playing there it feels like a breakthrough.”
She says the show’s about loss and loneliness, adding: “There’s a few of my songs but mainly songs that have influenced me by the great queens of tragedy and torch singers.”
Renowned as a flamboyant performer, Paloma’s happily aware of her past limits.
“I wanted to perform from quite a young age but I knew I wasn’t very good. I was about 10 when I did my first dance performance. I loved the excitement and adrenaline but didn’t know what I was doing. When they went right I went left and when they went up I went down, I totally stood out. My mum said it was hilarious that I stood out like a sore thumb because I was wrong all the time.
“For years after, I had the enthusiasm but not the ability. I think people thought I was a bit of a laughing stock…but I guess I found my way.”
A choreographer once told her he’d have to give her a lead role as she was hypnotic but “not very good” and was doing something different to everyone else.
Realising she wasn’t going to be a dancer was a “big setback”, so she began singing in bars while studying theatre hoping to work behind the scenes.
But she began attracting attention for her voice.
“I started to do it to my own surprise because I hadn’t really sung that much. Because the people I admired were so amazing I put myself beneath them and didn’t feel good enough but through this last year touring this album I think my voice has improved so much. I’ve sort of learned on the job. In a way my voice is better now than when I recorded my album. When I listen to the album I think oh a bit shit but I now play live and people say I’m so much better live.”
Paloma’s style has often attracted the attention of the Fashion Police: “Sometimes I end up walking out in something I haven’t really thought about. I look at it in pictures and think what was I doing? I know it’s dressing up. I find it difficult to get dressed on a day off because I don’t actually remember what I think looks nice. I take pride in taking risks and being a bit funny with it. People put me in those columns “what was she thinking?” Well I wasn’t. When I’m serious and when I know I look good it’s vintage inspired stuff. I think I’m very good at dressing like a Hollywood starlet.”
SEE the second part of this interview here - Paloma Faith on moaning music moguls, cash-strapped students + old school teachers
PALOMA FAITH ON MOANING MUSIC MOGULS, CASH-STRAPPED STUDENTS AND HER OLD SCHOOL
SINGER Paloma Faith has praised the teachers at her former school for doing an incredible job in the face of adversity and thrown her support behind the recent student protests
Speaking from her bathtub, the eccentric performer – a former pupil of Islington Green School – also criticised wealthy music industry figures for complaining about suffering during the recession.
Paloma, who is due to play a gala show of her collaboration with trumpeter/arranger/composer Guy Barker – Down at the End of Lonely Street – alongside a full orchestra at the Barbican on December 10, said: “When you look at world news, I think we’re really well off, maybe not as well off as in the 80’s and maybe that’ll never happen again.
"From the small perspective of being in the music industry I work with a lot of people who were in the music business when they earned shedloads of money and now they’re all complaining. Well they look pretty well off to me, I’ll be honest. I think a lot of people are rich people complaining they’re not as rich, but they’re still rich.”
Paloma, who is working on her second album, took a minute to praise her former teachers at Islington Green School.
She said: “I had an amazing education there. It’s funny because at the time I did my exams it was one of the schools that had one of the worst reputations in the country but I have to say the teachers were incredible.”
Now a bestselling artist, Paloma recalled appearing in school productions but never scoring the coveted main role.
Recalling one production of Little Shop of Horrors, she said: “I was never one of the leads I was always one of the dancers because at that time I was really into dance.”
Paloma also took the opportunity to voice support for students protesting against the coalition government’s plans to increase university fees.
She said: “It’s a shame the (protests) went violent because it reflects badly on their argument. If they’re protesting and saying all this stuff about being the future, what kind of impression does that give if they’re smashing things up? It's a shame for the students that genuinely are the future and are wonderful and have a lot to contribute because it gets them down as well. But I understand their reasoning because I do think that kind of debt is really intimidating to people specially people from poorer backgrounds.”
She added: “To a person who’s working, £9k is not that bad but if you look at that figure from the perspective of someone who comes from nothing and whose mother and father never in their lives can conceive of £9k or let alone earn it then I think that figure can be seen as extremely threatening and intimidating. It’s really sad and awful. It's great that students are protesting. For years I came from a really non political generation."
It is not the first time Paloma has commented on the British education system in the Press.
She appeared on This Week alongside Michael Portillo to discuss education in October last year.
The singer confessed to looking forward to her Barbican show, a venue she admired when growing up.
She said: “It's always been this place that was like the cultural centre of the area I was brought up in. The Barbican was quite close so it feels quite exciting to be part of it.
As a kid growing up I always saw it as somewhere quite posh and where rich people go from the perspective of a young kid in Islington and Hackney. But now I’m playing there it feels like a breakthrough for me.”
SEE the first part of this interview here - Paloma's Bathtime Revelations
Speaking from her bathtub, the eccentric performer – a former pupil of Islington Green School – also criticised wealthy music industry figures for complaining about suffering during the recession.
Paloma, who is due to play a gala show of her collaboration with trumpeter/arranger/composer Guy Barker – Down at the End of Lonely Street – alongside a full orchestra at the Barbican on December 10, said: “When you look at world news, I think we’re really well off, maybe not as well off as in the 80’s and maybe that’ll never happen again.
"From the small perspective of being in the music industry I work with a lot of people who were in the music business when they earned shedloads of money and now they’re all complaining. Well they look pretty well off to me, I’ll be honest. I think a lot of people are rich people complaining they’re not as rich, but they’re still rich.”
Paloma, who is working on her second album, took a minute to praise her former teachers at Islington Green School.
She said: “I had an amazing education there. It’s funny because at the time I did my exams it was one of the schools that had one of the worst reputations in the country but I have to say the teachers were incredible.”
Now a bestselling artist, Paloma recalled appearing in school productions but never scoring the coveted main role.
Recalling one production of Little Shop of Horrors, she said: “I was never one of the leads I was always one of the dancers because at that time I was really into dance.”
Paloma also took the opportunity to voice support for students protesting against the coalition government’s plans to increase university fees.
She said: “It’s a shame the (protests) went violent because it reflects badly on their argument. If they’re protesting and saying all this stuff about being the future, what kind of impression does that give if they’re smashing things up? It's a shame for the students that genuinely are the future and are wonderful and have a lot to contribute because it gets them down as well. But I understand their reasoning because I do think that kind of debt is really intimidating to people specially people from poorer backgrounds.”
She added: “To a person who’s working, £9k is not that bad but if you look at that figure from the perspective of someone who comes from nothing and whose mother and father never in their lives can conceive of £9k or let alone earn it then I think that figure can be seen as extremely threatening and intimidating. It’s really sad and awful. It's great that students are protesting. For years I came from a really non political generation."
It is not the first time Paloma has commented on the British education system in the Press.
She appeared on This Week alongside Michael Portillo to discuss education in October last year.
The singer confessed to looking forward to her Barbican show, a venue she admired when growing up.
She said: “It's always been this place that was like the cultural centre of the area I was brought up in. The Barbican was quite close so it feels quite exciting to be part of it.
As a kid growing up I always saw it as somewhere quite posh and where rich people go from the perspective of a young kid in Islington and Hackney. But now I’m playing there it feels like a breakthrough for me.”
SEE the first part of this interview here - Paloma's Bathtime Revelations
Friday, 27 November 2009
Speech Debelle and James Corden in Take That row
A DAY after dumping her label, Mercury prize winner Speech Debelle made a spectacle of herself while attempting a karaoke version of Pray at Take That's Singstar Launch.
Debelle stumbled around onstage and fumbled through the song at Notting Hill's Tabernacle Club in front of a roomful of die-hard Take That fans - as well as the band themselves.
Her shabby performance saw her booed offstage, but not one to be kept down, Debelle got lippy.
As the boos got louder, she told host James Corden: "I did it better than Take That."
Corden told the crowd: "I wish I could defend her but that was shit", to which Debelle replied: "Hey listen baby I don't do this Take Shit stuff".
Corden's response was: "Maybe you should leave because we all do."
The crowd continued to boo until she left offstage.
Corden, who warned the rapper "don't you diss our four boys, not on my watch" then said anyone could rap and promptly launched into a rap of his own.
My first YouTube experiment - a fuzzy video taken on a mobile phone - attracted over 3,500 viewers in 24 hours.
Debelle caused waves where others had tried their best.
Singers like Paloma Faith, Taio Cruz and Amy Winehouse' niece Dionne Bromfield all took turns trying to sing Take That's hits while sticking to the right notes. Taio and Dionne did well. Paloma not so much but she took it in good spirits and tried her hardest.
Debelle was supposed to sing Pray but what ensued was a shambles.
The whole thing has caused a big row. Debelle has put her own explanation on YouTube and demanded an apology from Corden. After seeing the above video, shakily filmed on my mobile phone, she posted a second apology.
Rapper Lowkey says the whole incident shows how patronising people are about rappers.
I posted it on YouTube to see what people thought and I've been astounded at the reaction.
Today, 24 hours after first working out how to post the video, it was the 4th most viewed music related video on the site.
See what you think.
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