IT’S been four years since Bright Eyes last released an album but Conor Oberst has used the time well. He fell out of love with rootsy Americana, worked on a couple of side projects and returned with The People’s Key – an exploration of the universe and everything in it through the medium of synth-pop. There’s much more to it than this, ethereal lyrics, a touch of their old selves in the acoustic title track and an ode (of sorts) to Haile Selassi. (Out this week).
Friday, 18 February 2011
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