GHOSTFACE KILLAH'S PROUD APPEARANCE + CAMDEN CRAWL 2011 + JANELLE MONAE, GODDAUGHTER OF SOUL + THE CUBAN BROTHERS, SAY NO MORE

WE HARDLY raise an eyebrow when rockstars and famous waifs stumble past us in Camden, but Ghostface Killah? He would turn my head. We hear, in True Wu Tang style, he caused a bit of a ruckus at Mark Ronson’s afterparty at Proud Camden last week – but where were the rest of the Clan?

• The first lot of names have been released for The Camden Crawl. My picks so far – the stunning Villagers who sadly had to pull out last year, former ROTW Frankie and the Heartstrings and Lethal Bizzle. Canadian comedian Tony Law on the Comedy Crawl will be memorable.



• Thanks to Camden’s rock ‘n roll mayor Jonathon Simpson for pointing out the Camden New Journal’s star appearance in Kentish Town’s rockabilly family Kitty, Daisy and Lewis’s 2008 video for (Baby) Hold Me Tight. But which page is being read?



• Show off your music knowledge at the Mayor of Camden’s Charity Quiz at The Monarch (March 2) – hosted by the mayor in aid of the Roundhouse Trust.

• Tiny soul superstar Janelle Monae, whose dancing owes the late great James Brown a major debt, arrives in Camden fresh from the Grammys to play The Roundhouse (March 1). Support from CockNBullKid.

• They’re crazy faux-Latin breakdancers with a penchant for taking their tops off and the Gumball rally - always breathtaking. The Cuban Brothers play Proud Camden on Saturday (Feb 26).

• I may not be the greatest fan of celeb DJs but at Proud does it in style. The club has taken over 02 superclub Matter with Proud 2 - Little Boots, White Lies, Mr Hudson, Hot Chip, Jazzy Jeff, Bloc Party and Tim Burgess are all lined up over March and April. Official public launch on March 5.

IN CAMILLE'S HEELS

“I’M A big scaredy-cat,” Camille O’Sullivan declares, explaining how she first turned to singing.

Not how one might describe a woman who abandoned a safe career in architecture after a serious car accident to pursue a not so stable life as a singer.
But that’s how the Irish French singer sees herself.
Audiences who witness Camille’s stage antics –being electrocuted and burned after wrapping Christmas lights around herself, stumbling over speakers and landing on glass, teetering on the edge of tables in heels – might disagree.


The Irish-French singer may loosely inhabit the cabaret genre but to confine her to that term would do her a disservice.
She uses her wild, dark, storytelling streak, to interpret the likes of Nick Cave, Tom Waits, Jacques Brel and Arcade Fire by becoming their most vivid characters.

Snow Patrol frontman Gary Lightbody recently wrote a song for her and she’s performed with Shane MacGowan, Tim Robbins and Damien Rice.
Camille is holding a charity Q & A at the Shaw Theatre in aid of Mayor of Camden Jonathan Simpson’s chosen charity the Roundhouse Trust (March 3).

But she fears the idea may suggest she’s an “egomaniac”, saying: “As long as people know I’m not going (affects luvvie voice) “I’ve so many things to tell the theatre” – that would horrify me”. I always hoped someone could’ve guided me and I’m happy to share my experience in what is quite a closed, unstable profession. I still think I’m on that journey, it’s not authority, I spend my time worrying about the next gig.”

Camille loved singing from an early age but it wasn’t until she went to Berlin that she realised she wanted to emulate the types of characters personified in Brecht and Eisler songs.
She said: “It’s good to have good fun but it’s also nice to go to a dark place to make people have a bit of black humour....You’ve got to have a certain amount of obsession to keep singing people’s songs that aren’t your own.”

As an architect, Camille flirted with the idea of becoming a professional singer but it was a terrible accident, which changed her life: “I was on morphine and euphoric to be alive. I was like what are you doing? This is your life. I don’t want to be 80 and look back and think I didn’t try. It took a year to use my hands, walk again and hand in my notice. I didn’t have a clue what I was doing... I placed every obstacle because I was blooming nervous and not confident. I’m a big scaredy cat.”

Her days are a whirlwind of tours and Camille avoids hotels as she drags her life around.
She recently shared a flat in Soho with the rubber man (who can put his body through tennis rackets) and is currently staying in a cottage in Stratford, while working with the Royal Shakespeare Company.

She said: “I’m looking at my suitcases because I’m horrified by them. I want globetrotter luggage but I know it’d cost too much. It’s my dream that I would actually look like a cool traveller when I’m going places instead of the wheel that’s falling off the suitcase today.”

Essential items include red lipstick and perfume she said, adding: “I have to get all my costumes in first, then I might bring a candle or a toy from home, a little bear or something. It may sound ridiculous but a friend gave me a little rabbit it’s just a little thing you put on the bed so you start making the place look like it’s yours.”

She added: “I do a lot of my tax and thinking up ideas – they end up on pieces of paper – so I bring a big plastic bag of that to put on my computer. It’s trying to make sense of my life. You know when you’re at home and chaos is in your house, I just take portions of it away with me so I can solve myself when I’m gone.”

ROUNDHOUSE RISING'S UN-CONVENTIONAL WEEKEND

LISTEN up struggling musicians.
You work hard, gig every venue, and often come home with less money than you left with at the start of the evening.
But it’s worth it and those who have done it before are here to give you faith.
Un-Convention, on Saturday, is part of the Roundhouse Rising Festival, which has filled the past week with masterclasses in band photography, sound engineering and music video masterclasses for youngsters.
But Saturday is for all ages. While top artists scramble to record an album in 10 hours, the timetable is heaving under the musical wisdom from panels of veterans, gurus and experts keen to share their insights.

Highlights include ‘Music as a Tool for Social Change’ – featuring figures from music projects in Sri Lanka, Brazil, Colombia and the UK, ‘Sustainable careers in music’ with Jon McClure (Reverend and the Makers), ‘The Politicisation of Music’ and ‘Women in Music’ with Viv Albertine and Zoe Street Howe. Guests include Green Man Festival’s Fiona Stewar, John Dyer from Domino Records and BBC 6 Music’s Tom Robinson.

There are also speed networking sessions, workshops and demos.
The festival wouldn’t be complete without some great live new music, see Ghost Eyes, Teeth of the Sea and Prizes, curated by Eat Your Own Ears (EYOE) on (Thursday), Swimming, DT, Beaty Heart and Chicago DJ Brenmar tomorrow (Friday) and EKO, DELS, Sampha and RoxXxan on Saturday.

More info from www.roundhouse.org.uk/rising

RECORD OF THE WEEK- IRON & WINE, Tree by the River

IRON & Wine.
Oh Iron & Wine.
This is just the soundtrack to carry us through the coldest days - more than a touch of James Taylor and some beautiful harmonies.
The beardy ones look and sound like they stowed away in Marty McFly's Delorean when he stopped off for fuel in the 70s (not strictly sticking to the script but it could have happened).
And sound all the better for it.
Iron & Wine play Camden Roundhouse on March 8.

THE POLYMATHS OF MELODICA, MELODY AND ME

THERE’S a lot to learn about Melodica, Melody and Me.
The Brixton six-piece have as many assorted facets as the eclectic range of instruments they employ.
Take singer Huw Williams.
On face, he’s a polite singer and musician who formed a band with his schoolmates – a band which has progressed to touring with Mumford and Sons, Laura Marling and Bombay Bicycle Club among others.
Inquire further and you find he’s a philosophy graduate and special needs teaching assistant.
But it’s not until much later that Huw reveals he’s just completed his tree surgeon qualification, is a bit of an environmentalist and used to grow vegetables on his own allotment – all at just 23.



He’s not unique, among the group are a mental health worker and a sports journalist student who’s somehow managed to rope eminent political philosopher Noam Chomsky into an email exchange on his thesis on the socialist nature of American sports.

Not a simple lot, Melodica, Melody and Me are tough to define.
They have at times referred to their music as folk-step “but it never stuck”, said Huw.
Central to their sound is the melodica, but the Kora and the Charango (a Latin American lute) are also in there as their harmonies and folk finger-picking are laid over Andean sounds, reggae skanks and African rhythms.

The work of legendary dub producer Augustus Pablo shaped their use of the melodica said Huw: “He plays it on dub and reggae tracks, that’s what defined our sound at the start. We played acoustic instruments but with the melodica playing reggae-ish melodies or sort of skank.
“When we first got the melodica we thought it was special but it turns out they’re used all over the world to teach kids how to play the piano. So in some parts of the country it’s like the most annoying instrument in the world – the equivalent of the recorder.”

They’re haunted by their choice of band name, inspired by Roald Dahl’s The Giraffe The Pelly and Me.
They wanted to use the word melodica and liked the alliteration but it seems no-one can get it right: “The amount of times we’ve had it in reviews and billings as something completely different like Medolica, Medallions and Me. They’re coming up with better ones!”

They’re lucky enough to be able to record in guitarist Rudi’s old bedroom, which has been converted into a home studio, with the help of Rudi’s father, Bafta-winning sound editor of The King’s Speech, André Schmidt.
Huw said: “It’s good we’ve got access to good equipment but without having to pay the hourly rate at a studio – it’d bankrupt the whole thing.”
The four boys only really began playing instruments aged 17, later bringing in Rudi’s sister Anna (vocals) and drummer Greta – they all attended the same school.

They’ve played Camden a few times: “Whenever we play there, we always try and find food first, struggle really badly, eat those cheap pizzas and end up feeling really ill. And we get enticed by the Chinese foods – it always seems like such a good idea.”

How does he compare the scene here with Brixton?: “Brixton’s a good place to come for music, there’s the Hootenanny and The Windmill, it’s one of the few places in South London where you get to see live bands play. Camden’s really good but there’s a bit more relaxed, gritty, grimy atmosphere I suppose in South London. But it’s changing. Brixton is getting so trendy these days that it kind of feels like east London sometimes.”
Growing up in Brixton “inspired us to be more open to exploring different types of music. There’s so much noise and vibrancy,” said Huw.



They’ve just toured with Johnny Flynn: “We did an acoustic line up with only four of us so we all crammed into one car and were driving round the country. Luckily in every town we had a friend of a friend who let us sleep on their floor. It was in the height of the winter and the snow and we were sleeping on kitchen floors, having the worst night sleep but it was good. I don’t think it’s ever glamorous – the most glamorous it gets is staying at the Holiday Inn. I think I prefer to be at a mate’s house.”

They also forged friendships with Bombay Bicycle Club with whom they toured in July: “We hung out with them quite a lot, they’re really young as well, really nice, quite not shy but quite quiet, they’re really gentle guys. The funny thing about touring is you get very few windows to actually hang out and get drunk because you’re always driving on to the next gig but we did our best. On the last night of the tour we had a big party at one of their houses.”

The band are working on their debut album but haven’t picked a name yet.
Said Huw: “That’ll be a big discussion, that might lead to a fight. You don’t want to name it after one of the tracks or maybe you do but then you don’t a name you’re embarrassed about for the rest of your life. Our band name gets derided enough, we’ll have to balance it out with a good name for the album.”
Melodica Melody and Me play the Lock Tavern on February 22.

PADDY CONSIDINE'S MOONLIGHTING, AN UNEVENTFUL BRITS AND PETER, BJORN AND JOHN MOVE ON

SO THE Brits grew up? There was less silliness (bar James Corden), less rock ‘n roll and no irreverence – but is that what we want, or do we prefer the spectacle?
Don’t we watch these things for car crash moments, drunk speeches and offensive egotistical rock stars? Still, good to see Laura Marling and Mumford & Sons win awards, shame The XX were overlooked.

• Feeling Gloomy won’t let up with the “can’t miss” events. This time brooding Irish hardman Paddy Considine (of Dead Man’s Shoes, Hot Fuzz etc) and his band Riding the Low play the 02 Academy Islington (Feb 26). All I know is they describe themselves as “lo-fi, raw guitar rock with the fat cut out”.



• Don’t forget the Camden Crawl’s essential preview night CC Tips with Spectrals, Paris Suit Yourself, Patch William and Frontiers at The Bull & Gate (Feb 24).

• When your big hit turns up on Homebase ads, it's getting a bit old. And "whistling song" Young Folks was conspicuous by its absence when Peter Bjorn and John previewed new album Gimme Some to a crammed Old Blue Last in Shoreditch recently. Maybe they're sick of it, but probably not the royalties. Some good new songs though. See if it’s resurrected when they play The Lexington (Feb 23).

• It was the venue for Joy Division's first London show, a Stranglers live album, and has hosted everyone from Madness and Ian Dury to countless indie hopefuls. Now the Hope and Anchor, Upper Street, is getting a major makeover, reopening later this month. Just hope they don't get rid of the atmosphere along with the musty smell of faded glory.

• The Union Chapel’s free Daylight Music events are fast becoming the highlight of the weekend. This week see Chris T-T, Model Village and Padriag Whelan from midday.

RECORD OF THE WEEK - BRIGHT EYES, The People's Key

IT’S been four years since Bright Eyes last released an album but Conor Oberst has used the time well. He fell out of love with rootsy Americana, worked on a couple of side projects and returned with The People’s Key – an exploration of the universe and everything in it through the medium of synth-pop. There’s much more to it than this, ethereal lyrics, a touch of their old selves in the acoustic title track and an ode (of sorts) to Haile Selassi. (Out this week).

RECORD OF THE WEEK - JOSH T PEARSON, Last of the Country Gentlemen

THERE’S a danger of trivialising this masterpiece by suggesting it is one for the broken-hearted.

But the anguish mournful Texan Josh T Pearson painstakingly lays out in Last of the Country Gentlemen has more than a hint of “I feel your pain and I’ve suffered tenfold” about it.
With just seven songs over 60 minutes, Pearson takes his sweet time building each sorrowful track. Stunning but not for the impatient. (Out March 14, plays Union Chapel May 11).

CAMDEN'S ROASTING REGGAE HEART

WHO’D have thought one of the hubs of London’s reggae scene would have originated in Tufnell Park?

Former Acland Burghley pupil James Harper (aka Moodie) and ex-LaSwap student Greg Burnell (Exel), were a few years apart growing up and independently of each other set off on their own paths.

But some years later, after James had a brief stint as a hip-hop DJ, worked at a record label and studied music production, he found himself looking for a new way to bring business into a quiet Sunday night at Kentish Town’s Grand Union bar, where he was a DJ.

He roped in Greg, a friend’s brother, and Reggae Roast was born – a night of reggae beats, MCs, Exel and Moodie on the decks, while roast dinner was served.

The food element has been somewhat sidelined now although on special occasions at the Big Chill House, a barbecue is available.
Within weeks news of the popularity of the night spread and the venue was overwhelmed with fans.

You may have seen the signs for Reggae Roast nights at the Big Chill House, CAMP, the Jazz Cafe and a bunch of other venues across London.
Said James: “We move around a lot between north and east London, we try to keep it fresh.”

Since it began in 2007, the night has hosted the likes of Lee ‘Scratch’ Perry, Collie Buddz, Sly & Robbie, Finley Quaye and Mad Professor.
The duo have also recently started their own Reggae Roast label.
Their latest release, Righteous EP, featuring Ramon Judah – Reggae Roast’s main MC – came out on Monday.

James said: “There’s been a massive revival of reggae slightly due to the whole dubstep thing, which originated from reggae. Because younger people are so into that, they checked out the reggae scene. Then there are older people who are here for the music.
“Everyone likes it. For some people that come to our nights, it might not be their first choice of music but it’s got a massive universal appeal. It’s not aggressive, it’s positive music and all inclusive. There’s a good atmosphere at our events, that’s why people come back.”

James only really turned to reggae under the influence of his avid record collector half-brother, after turning his back on hip-hop.
He said: “I was a scratch DJ and I became disappointed with hip hop in the early naughties. It lost its soul, became too commercial, the whole sound and attitude, and I just stopped feeling the music.”

While still at school James started his first DJ night.
He said: “I started at a Jamaican place called Posh Nosh in Tufnell Park. It only holds about 150 people but we used to get all our mates down – there were queues outside.”
He added: “I was quite naughty at school, a bit lippy and got in a lot of trouble but I did alright. I was born just off Falkland Road, Camden couldn’t be a more diverse, interesting place to grow up in.

“My school had so many amazing, gifted musicians – my brother’s best friend is an incredible drummer, my best friend Louis Slipperz DJs for hip-hop group Task Force. He put his own record out off his own back. It did really well and that was an inspiration to me to do things myself. It showed me if you do things the right way and produce good quality music, everyone can put out a successful release.”

Reggae Roast is also taking over the Edinboro Castle during the Camden Crawl (April 30 – May1) to provide some alternative uplifting beats away from the rest of the weekend’s joyful chaos.
As well as DJing and producing records, James, who lives in Kentish Town, is training in graphic design.
He said: “We need so much artwork for our releases and flyers I just thought it would be useful to do it myself.”

More info from www.reggaeroast.co.uk

HAPPY GLOOMY VALENTINE'S DAY

IF IT wasn’t for the effort Feeling Gloomy put into their Love Hurts Valentine’s night, I’d have ignored it altogether.

But every year they step in to fill the deathly absence of cards, flowers and dates for singles.

So head to the 02 Academy Islington (Feb 12) for torch songs, indie heartbreakers and rock to scream to plus Down With Dating’s Speed Hating (spill your dislikes) and Blind Hate (Cilla, but dark). Hankies on hand, dead flowers on the tables and classic divorce flic Kramer Vs Kramer will be screened – perfect.

Alternatively sketch Burlesque models at Dr Sketchy’s Valentine’s Special to mark The Old Queen’s Head’s birthday celebrations (Feb 14). Rob Da Bank, Jamie Woon, Mystery Jets , The Maccabees, Tribes and Sound of Rum will be making an appearance over the week’s festivities.

• The more romantic may enjoy Ronnkie Pop’s Valentine’s Prom Night at The Silver Bullet (Feb 11), complete with prom king and queen coronation, prom punch and the inevitable slow dance. Think Back to the Future’s Enchantment Under the Sea dance.

• I last saw Mark Ronson at the Roundhouse for the Electric Proms in 2007 when he brought along an assortment of celeb guests. I’ll never forget The Rumble Strips’ Charlie Waller’s unexpected and explosive cover of Back to Black (look it up on YouTube). The Proms may be no more but Ronson returns to the Roundhouse (Feb 16) with The Business International, who knows what he’ll have in store this time?



• Tickets go on sale today (Feb 10) for Mumford & Sons’ special gig at Dingwalls on Feb 22. Support from the divine Marcus Foster, Anna Calvi and Rachel Sermanni.

ARABIAN KNIGHTZ DOUBLE THEIR EFFORTS TO SUPPORT EGYPTIAN REVOLUTION

EGYPT is broken.
But from the ashes of this uprising, there is hope for a more free future.
Egypt's musicians have been rallying the crowds at Tahrir Square and busy working away at new revolutionary songs.
Egyptian rappers Arabian Knightz called for an uprising in song Rebel (ft Lauryn Hill), and released it in its most raw format the minute the media blackout was lifted.
Listen here
During the rebellion, they also penned Not Your Prisoner especially for protestors (ft Shadia Mansour and Fredwreck).
The video is a compilation of some of the most jarring moments of the last few days, events that are almost irreconcilable with the Egypt I know and love.
But all these things really happened.
It is for the people and government to ensure this is never again repeated.

MANURE? I HATE MANURE...BIFF'S MELODIC BACK TO THE FUTURE LEGACY

FOR all those that still appreciate the righteous place the Back to the Future trilogy (well, not the third one), holds in movie history, here's a clip that should make you smile.
Remember Biff??

MOURNING THE ELECTRIC PROMS + GRANDMASTER FLASH + MEN + MORE

THERE were some genius moments in the glory days of the BBC Electric Proms Festival. Over its brief life it sent out talons, expanded to new venues, branched out in Liverpool, brought in obscure artists and became one of the highlights of Camden’s music calendar.


(Stunning Nitin Sawhney evening ft Natty 2008)

The mantra “creating new moments in music” was hammered into our brains and for a time had some justification – remember Africa Express, Mongrel at Barfly and Liam Gallagher’s Oasis return angry fireworks?



Not to mention The Last Shadow Puppets' incredible show at Liverpool Philharmonic Hall.



But somehow it lost its Mojo, the very mantra forever etched in our minds fell from the BBC’s own consciousness.
Last year’s event was cut to three days and although it’s pleasant to know Neil Diamond, Elton John and Robert Plant are still alive, there was little new about their appearances.
Perhaps if we could all get off the BBC’s back for five minutes, the quality of the Electric Proms could have been sustained and it wouldn’t have been such a likely candidate for the axe. A loss to our culture, a loss to the Roundhouse and a loss to Camden.

• How many of you know every word to Grandmaster Flash’s Rapper’s Delight? If you’re lucky, he might just play it at Scala (Feb 10).

• Sia’s girlfriend and former Record of the Week candidate JD Samson (ex Le Tigre) brings band MEN to the Lexington on Tuesday (Feb 8).

• Diva Natalie May’s a graduate of Hawley Wharf’s Young Person’s Theatre Company and single Closer has won a prized spot on a number of radio playlists. See her at Dingwalls (Feb 6).

• Lovely of Ian Brown to back a £10,000 musical scholarship for prospective students at Camden’s School of Sound Recording, whose rehearsal rooms have been used by The Stone Roses. If I had an ounce of talent...

• Proud Camden’s Metallica 30th anniversary photo exhibition Fade To Black: Metallica By Bill Hale begins today (Feb3). Go soak up the culture.

• Joan as a Policewoman – first dance choice at a friend’s ultra cool wedding – plays the Barbican (Feb 6).

COCKNBULLKID'S POP THERAPY

COCKNBULLKID – that’s it, that’s her name now.
Dropping the prefix “the” is the first sign something’s different about Anita Blay.
Known for her electro tunes of the past, Anita’s turned to pop for her debut album.
Single Hold on To Your Misery (out March 7) is every bit the snappy pop song to which she aspires.



Anita – as CocknBullKid – is part of talent-pushing festival HMV Next Big Thing, a concentrated chance to see the picks of the future – across venues including Camden Barfly, Jazz Cafe and Relentless Garage for the flat rate of £10.
She plays Upstairs at the Garage alongside James Yuill, Trophy Wife and Visions of Trees (Feb 10).

Also chalked up at various venues are Jessie J, The Airborne Toxic Event, Skepta, The Chakras, and Chilly Gonzales (full line-up – www.hmvnextbigthing.com).
In fact, Anita has just settled in a deli after recording vocals for the eclectic Canadian musician Gonzales – who worked on her album – when she speaks to Grooves.
She said: “He’s charismatic, good fun to work with, very much an artist and quite independent. He pretty much makes things happen for himself so he’s good at giving tips and advice on how to make sure everything is yours. It’s becoming harder for people to control what they do. He’s quite old school in the sense that he takes care of every aspect of his career.”

While Anita absorbs his advice, she is well aware of the fortunate position she is in: “Although I’m signed to a big label (Island) I’m with an independent (subsidiary Moshi Moshi). It’s not like everything has to be turned up to 11 and have bells and whistles on. I’ve got the best of both worlds, the muscle of a major but the creativity of an independent.”

Album Adulthood touches on life as a Londoner of Ghanaian descent and some good old teenage angst – to an upbeat soundtrack.
She said: “My parents split up at a very early age and I was separated from my mum when I was about 12 so I grew up with a male patriarchal figure. I wasn’t raised by a woman in the most important times in my youth. While he was doing a stellar job – I love my dad to bits – there are certain quirks/things you can’t help but sometimes attribute to not having a female figure.”

Her father, a bus driver, is so proud of Anita’s work that he keeps all her cuttings.
She said: “Considering he was from a different background, from Ghana, quite traditional, he’s still quite open-minded and I think that’s shaped me.”

Anita grew up in Hackney, torn between where to ally herself – and her confusion over her origins –is detailed on the album.
She said: “The older you get it’s less of a clash and more of a fusion. There’s good and bad but I’ve learned to straddle both, be proud that I’m British and proud to be Ghanaian.”

An explanation of her stage name is also on the album: “A lot of people ask why I called myself Cocknbullkid. I’m not talking about anatomy I‘m referring to a cockerel and bull – it’s another way of saying to spin a yarn, tell a tale, bullshit someone. Something I’m fascinated with.”
At the moment it’s all about pop: “It is a craft writing a pop song – it’s a lot easier to be experimental and waffle on for nine minutes. Now three minutes, there’s something very satisfying about a pop song.”

Making the album has doubled as therapy. Said Anita: “If you’re old enough to be honest about how you feel and put it on a record, hopefully you feel better for it – almost exorcising your demons. I do feel a lot better. I listen back to songs and think wow I don’t feel like that anymore. I’m happy I’ve been honest about it. “

She added: “My dad’s really proud. I’m definitely a hard worker when it comes to music. That’s the only way you can feel any sense of achievement for something because you work for it. My dad’s a bloody hard worker. That’s part of the reason I’m so ambitious because I want to make him and my family proud. I want them to be comfortable, he struggled for so long.”
• CocknBullKid’s website is www.cocknbullkid.com and twitter name is @cocknbullkid