THE AIRBORNE TOXIC EVENT - FROM BLOODSTAINED CARPETS TO WALT DISNEY CONCERT HALL

A COUPLE of years ago LA band The Airborne Toxic Event took up residency at The Dublin Castle in Camden, staying in “skanky” hotels and living it up in Marathon Kebab house.
They played 30 UK dates, and within six months were playing to audiences of thousands.
Now, having put the finishing touches to their second album they’re about to cross the Atlantic again, this time touring of non-traditional venues like Islington’s Union Chapel (Oct 3).
They’ll also attend the premiere of their DVD All I Ever Wanted – The Airborne Toxic Event : Live From Walt Disney Concert Hall (out Oct 4), which has been accepted into the prestigious Raindance Festival.

Frontman, guitarist, chief lyricist Mikel Jollett is wide awake, it’s 10 am and he’s still at home in LA thinking about packing.
He said: “I get up at like 7am. I know it’s decidedly not rock and roll of me. The last couple of weeks we’ve been finishing this record we’ve been making for about nine months.”
Don’t ask what it’s going to be called, as they’ve got ideas but they’re not letting on.
Their biggest hit to date Sometime Around Midnight, captured the attention of fans, but Mikel’s moved on from drawing too heavily on his previous break-up and says the songs have other stories to tell.
He said: “It’s definitely not a reread of the first record. It’s probably both louder and quieter. I wrote the last record when I was going through a pretty devastating break-up. It was a pretty bad time. On this record there’s some songs about my folks and one about Afghanistan – the hypocrisy of nation building in the context of war. Then there’s some ballads. It’s definitely a different kind.”
Turns out the new album was supposed to be an electro mash-up effort “but we ended up making a big rock record” Mikel confesses.
Back to their stay in Camden, Mikel said: “We got to know Camden pretty well. We stayed in this super skanky hotel that had like bloodstains on the floor. It was such a grimy place, we were sleeping three to a room because we were so broke. I like the Dublin Castle it reminded me of a lot of bars in LA. We liked the rock and roll falafel place (Marathon Kebabs), at night it becomes like a rockabilly night, people dancing and eating falafel. That was the most happening joint in London, I really liked that place.”
Mikel seems thrown by UK music journalist lines of questioning but believes it comes from the right place.
He said: “Everyone always thinks you’re scheming and trying to come up with something clever either how you dress or the aesthetic or the music, something in order to solve the equation of being like the next
huge thing. We do not think like that at all.”
He launches in to a (pantomime) English accent: “(UK critic) "I notice you’ve got your sound, you’ve got The Strokes with a bit of The Clash and Arcade Fire sort of thing, how did you come up with that equation” and we’re like uh.......we don’t know. Actually the UK Press is actually quite polite, smart and enthusiastic about us and I think people seem to understand...Where a lot of the hyperbole of the Press comes from...it’s written by people who literally don’t want to be let down, they’ve sacrificed so much in their lives to be part of it.”
He’s not likely to be found complaining about touring either.
Mikel said: “I used to be a carpenter and my hands were sore – that was work...The people who come to our shows have jobs and work. We don’t work, we travel around and play music.”

LADY GAGA WHO? MIDLIFE CRISIS ME? TIM ROBBINS AND THE ROGUES GALLERY BAND TAKE OVER NORTH LONDON

NOTE: I was lucky enough to interview actor Tim Robbins this weekend - here is the first of two stories to come from this. The second is below.

IT'S 5am in an airport lounge in Hawaii and actor Tim Robbins is speaking quietly into his mobile phone trying desperately not to be “that guy”.
The wedding he was at ended a couple of hours ago and Robbins just laughs when I ask if he’s merry.
“I’ll never tell,” he says heartily.

Robbins and The Rogues Gallery Band play Islington’s Union Chapel on Wednesday and the chapel fits the one criteria the Hollywood actor/director/singer requested of all venues on this tour.
“I wanted to make sure they weren't too big and that they didn't have bars actually inside the room I was playing in,” he said. “I'm all for bars but it gets noisy and the songs I'm playing are a little more intimate than that... to make sure that we have a shot at telling the stories.”
The band name should give a hint at what Robbins’ music is all about, a bit folksy, described as “rousing, raggle-taggle gypsy Americana and story telling songs”.

His debut eponymously titled album, out September 27, will be the 51-year-old actor's first.
But don’t be fooled into trying to match the lyrics to Robbins’ real life.
“The stories are about all kinds of different things, people I've run into on the road who've told me their stories, things I've read in newspapers, moments in time in my own life...I was down in New Orleans in June and I wrote a lyric about an experience I had down there...What was the experience? Oh I don't know, no comment.”

And this is Robbins' attitude if you try to get close to his personal reality.
He warns: “If you're listening to an album and you're thinking about the personal life of a person you should probably check into an institution. People that are obsessed with other people's personal life who they don’t know, it's kind of a little silly and a waste of time. I believe that as well with people you do know. Mind your own business.
“It's a real good idea to try not to get into people's personal business because it's trouble. It's true. In personal business of friend of yours if you start laying your opinions on their personal situation can only lead to bad things. Sure you can be an open hearted compassionate person and be a sounding board if a friend's in trouble but to then pry and to needle someone. You know it’s not good.”

That's not to say he doesn't pull on real-life experiences in his writing – just be warned, his songs were written well-before his much-publicised break-up with actress Susan Sarandon, a fact he wants to stress.
He said: “I would like to set the record straight. If you heard Desert Island Discs I was clearly making a joke – the “midlife crisis” thing.”

Robbins has been affronted by UK Press taking his joke and suggesting he wrote the album after the break-up. So much so that he has asked if this interview is being taped for accuracy.
He said: “For them to write a story about how I did the album as a response to recent events and then have a psychiatrist write a side article about what men go through in a midlife crisis is and compare my situation to someone who's institutionalised and on and on...it was like really? Is it that important to make some story up where there is no story. All these songs were written way before any recent events in my personal life and have to do with many, many different things and about zero to do with a midlife crisis.”


(An old clip - can't find any recent ones).

So what is he singing about then?
“When I'm inspired by something or someone, whether it's inspiration from frustration and anger or from being touched by something. 

“I've written completely sober. I've written a few late night in hotel rooms. A lot of the album is from hotel rooms. I hate hotel rooms. When I'm on the road I try to remain open to experience. It's the only way I can be away from home. You know you have to treat it as a blessing. We find ourselves in circumstances we wouldn't normally be in and oftentimes that leads to conversations or a character that is intriguing. So you go home and you write.”

So the few insights I can gather about Robbins' life away from work include his love of riding his bicycle, and working in his garden “no skydiving for me”.
His confession that Abba is his guilty pleasure: “Abba can get in my skin sometimes. I can forget myself sometimes with Abba. All of a sudden you start tapping your foot.”
His admiration for Nina Simone's Sinnerman: “It just rocks. It's just got such a great groove on it and she's just amazing. They way she performs and interprets songs is just genius.”
His thirst for learning about new music from his children: “They've introduced me to Arcade Fire, Fleet Foxes, LCD Soundsystem, I'll stop there. I just absolutely love the new Arcade Fire album.”
His choice of funeral music: “I would like a second line. It's a New Orleans tradition. The first line is the brass band that plays on the way to the cemetery and the second line is the one that plays on the way back. The first one is super slow and the second line is a kind of celebration, it’s very uplifting, danceworthy.”
And his dislike of the outside world intruding on his home life: “You know what boring very liberating thing you can do is to get rid of your answering machine. That was really a great liberation for me. So I'm trying to apply that to the cellphone and voicemail. When you get home you should be home so I try to get any business done before I get home but I’m not perfect.”

It seems like he has succeeded on this last task as when I ask what he thinks of tabloid staple Lady Gaga, he replies genuinely: “Who?
Honestly I don’t listen to hit music, I don’t listen to radio stations, I don’t have a television either so she’s kind of not landed on my lap and so I don’t have an opinion either way.”
• Tim Robbins and the Rogues Gallery Band play the Union Chapel (Sept 30) and HMV Forum, along with Paolo Nutini for the Q Awards Show (Oct 22).